Through vibrant colors, tactile textures, and playful visual language, my work aims to evoke nostalgia while inviting audiences to find humor and strangeness in familiar systems and environments. In my current MFA thesis film, Desk Monkey, I expand this approach through a cast of anthropomorphic office monkeys navigating the repetitive cycles of corporate labor. The film uses gag-based structure and exaggerated scenarios to reflect the monotony and absurdity of contemporary work culture.